Stylised Pod Form

Tuesday 14 December 2010

Andrew Potocnik shares his secrets for creating one of his steam bent pod forms

1.The completed stylised pod form

My 'Pod Trio' was featured in a recent issue of this magazine. This article explains how the individual 'pods' are turned, carved and bent. When you break the 'trio' down, each pod is simply a goblet, pushed in a slightly different direction.

Many turners make goblets, so the explanation of my pods should seem easy to understand, I've just taken the concept in an altered direction.

Tools used: 25mm (1in) spindle roughing gouge, 12mm (1/2in) bowl gouge, 6mm (1/4in) bowl gouge, parting tool. 20mm (3/4in) skew chisel and a round-nosed scraper

Step 1

The first step is to mount the timber between centres and rough it down to a cylindrical form

Step 2

Next, divide it into three portions: the top, collar and stem. Use a blank of about 60mm (2 3/8in) diameter which is about 250mm (9 3/4in) long. Using a parting tool, segment each of the three parts leaving about 25mm (1in) diameter so that there will not be too much chatter as you continue to refine the goblet

Step 3

Next, turn the stem down to about 12-15mm (1/2-9/16in) diameter, but this will depend on your chuck. The stem of the form should now fit inside the chuck's centre, into the spindle of your lathe, allowing you to tighten the jaws of your chuck around the collar of the turned form

Step 4

The next stage is identical to turning an end grain bowl or a goblet. With the form fastened in your chuck, you are ready to hollow the 'bowl'

Step 5

Most likely, once you've transferred the blank from between centres into a chuck, the whole thing will be ever so slightly off-centre. Trim it back so it is centred and then proceed to hollow it just as you would a goblet or a deep bowl. Here you can see how resting my thumb against the outer surface of the bowl reduces vibration, resulting in less tear-out of wood inside the bowl. Alternatively if you prefer an overhand method of turning, you will find it easier to rest the heel of your hand on the toolrest and support the outside of the goblet form with your fingers, but this is another story in itself

Step 6

Whilst hollowing the form I rely on the old 'finger gauge' to determine wall thickness, but to confirm assumptions, I use a 'figure 8' calliper to ensure the goblet is evenly thick, or that it is thick enough for anything I want to do in the carving department after turning is completed. For instance, sometimes I like to carve back into the wood to create 'lips' that seem to grow out of the turned form, hence the form needs extra wall thickness. Once hollowing is finalised the exterior of the form is trimmed down to a refined, final shape and any excess material is removed. This means any material required to give the form stability during the hollowing process is eliminated before reversing the form ready for trimming of the collar and stem

Step 7

To grip the reversed form you can either slip it over your scroll chuck and expand the jaws to grip inside the 'bowl' form...

Step 8

…or turn a carrier from a stub or scrap of wood to match the inside diameter of the 'bowl' and fit the form just as you would on a jam fit carrier

Step 9

In either case, slide the tailstock up to the stem to give the piece support and slim it down using a gouge or a skew, depending on which tool you're more comfortable with. Final refinement of the stem is completed with sandpaper ranging from 80 down to 320 grit

Step 10

Once removed from the lathe it's time to develop some shape to the pod using a fine-toothed jeweller's piercing saw. I prefer sweeping curved shapes to open up the pod. Cut a simple 's' shape from the rim down toward the base which is then refined with files and sandpaper, and maybe a touch up on a belt sander to add flow to the rim so it isn't flat all the way around

Step 11

To add flow to the overall form soak the stem in water for a couple of hours - you need to experiment, depending on timber type, thickness of the stem and how far you plan to bend it - before applying it to the bending iron. Keep the wood moist either by dipping it in water or spraying it with one of those pump spray bottles - used for keeping plants hydrated - between applications to the hot iron. Apply pressure and gently rock the wood from side to side so you can create a gentle curve. Experience will tell you just how much pressure to apply, how long to hold the wood there before wetting again, but the only advice I can offer is to experiment. That's exactly how I learnt and I don't have the magical formula. You can now make a base for your pod. Draw the shape of the pod's base freehand on a piece of 19mm (3/4in) thick red gum (Eucalyptus camaldulensis) and cut on the bandsaw ready for further shaping

Step 12

Use a 150mm (6in) belt sander to refine the outer profile of the base and trim the overall shape into a tapered form, flowing from its highest point down to the three outermost points of the piece

Step 13

Refine the form with a file to ensure each of the three facets flows smoothly - you are aiming for sharply defined ridges along the three 'spines' that run along the base to where the pod's stem attaches

Step 14

After filing, you need to sand the base with 120, 240 and 320 grit sandpaper. Drill a 4mm (5/32in) diameter hole into the base ready for the stem to fit into snugly - most likely without the use of glue - which enables you to rotate the pod to any angle that pleases your eye. Remember to not overbalance the piece here. Now all you need to do is assemble the piece by putting the various components together

Glossary Rollover a term to view its definition

  • Bowl Gouge
     

    Bowl Gouge

    Bowl Gouge

    A cutting tool with a deep flute and a heavy cross-section. These are normally made from round bars and the flute is milled out. The round bar fits into the handle thus giving the tool a great deal of strength to enable it to overhang the toolrest a long way in order to hollow out deep bowls. Its primary function is for faceplate - or bowl turning - but it can also be used in spindle work. The bevel angle is ground to suit the user but is anything between 40 degrees and 80 degrees. Traditionally, bowl gouges are ground straight across, but many turners prefer to grind the wings back. There are many terms for a swept back bowl gouge - fingernail grind, O'Donnell grind, Irish grind, Ellsworth grind, lady's finger - to name a few. There may be subtle differences in these grinds, but generically they are all bowl gouge grinds where the wings have been ground back.

     
  • Parting Tool
     

    Parting Tool

    Parting Tool

    As the picture shows, there are several different types of parting tool - three of which are shown here. On the left is a narrow (3mm) parting tool which is very useful when parting work where the least amount of grain mismatch is desirable, for example when parting the lid from the base in box making. The middle tool is a straight sided, standard parting tool and the one on the right is a diamond parting tool where the widest part of the tool is at the cutting edge. This can be advantageous when cutting deep grooves because it means less of the tool is rubbing on the sides of the groove. Parting tools primary task is to part wood off in spindle work but they are also used to cut tenons or spigots and grooves. They can also be used to cut beads.

     
  • Skew Chisel
     

    Skew Chisel

    Skew Chisel

    An extremely useful tool but has a reputation for being difficult to control. Certainly you can get some nasty catches with it but it is worth mastering. It is used mainly in spindle work and produces a very fine finish from the tool, requiring little, if any sanding. Planing cuts, peeling cuts and slicing cuts can be made with the skew as well as turning beads, coves and 'V' cuts. Typically, the cutting edge is ground at 60 degrees to the axis of the tool - hence the term 'skew' and the tool has two bevels whose inclusive angle is anywhere between 25 and 45 degrees. Skews are now made in three styles - rectangular section, oval section and rolled edge section.

     
  • Spindle Roughing Gouge
     

    Spindle Roughing Gouge

    Spindle Roughing Gouge

    This gouge is semicircular in section and the bevel is ground at between 35 and 45 degrees. The cutting edge is usually ground straight across. It is normally used in spindle or between centres turning for reducing a square blank to a round section - known as roughing down. This gouge is commonly known as a roughing gouge, but is more accurately described as a Spindle Roughing Gouge as it must not be used on faceplate work, e.g. for turning bowls.

     
  • Lathe
     

    Lathe

    Lathe

    Lathes come in various types and sizes and prices. The average woodworker will only need a lathe for turning spindles and things like knobs or bun feet for furniture whereas a woodturner will be much more demanding of a lathe. A lathe has a bed to which is fitted a headstock which contains the pulleys and belt for creating the drive output to a shaft which can be fitted with various means of turning the work such as a drive centre or a woodchuck. The drive motor is attached to the headstock. At the other end of the lathe bed is the tailstock. This is precisely aligned with the headstock drive centre and has its own means of supporting the other end of the spindle blank that is being turned. The tailstock can move along the bed, there is also an adjustable tool rest in between, for supporting whatever lathe tool is being used. Woodturning is a complex discipline in its own right.

     
  • Tailstock
     

    Tailstock

    Tailstock

    Like the headstock, this is normally made from cast iron or fabricated in steel. It is designed to slide along the bed and be clamped to the bed in its chosen position. The method of clamping it varies between manufacturers, but a common clamping method is by means of a cam locking assembly. The tailstock houses the quill or barrel, which in turn houses a revolving centre, allowing spindle work to be supported.

     
  • Toolrest
     

    Toolrest

    Toolrest

    The toolrest sits in the toolpost, or banjo and can be swivelled and adjusted in height. It can be clamped in position normally by means of a Bristol Locking lever. The top of the toolrest should be kept smooth and dent free to allow the tool to traverse it smoothly. Special curved toolrests can be bought for bowl turning to reduce the amount the tool that needs to overhang the rest when hollowing a deep bowl. Similarly, special toolrests can be bought for deep hollow forms. The picture shows the toolrest sitting in the banjo of an SIP 01360 lathe.

     
  • Between Centres
     

    Between Centres

    Between Centres

    The term given to holding a workpiece between a centre (e.g. four prong, two prong, steb centre) in the headstock spindle and a centre (e.g. revolving, cup) in the tailstock spindle

     

about the author

Andrew sees inspiration that surrounds him every day. He arrived on the Australian woodworking scene in 1983, and since then his work has developed into areas of sculpture, furniture making and the odd bit of cabinet work, but always with his own unique twist. He is famed for his pod forms and his work is now held in various private and public collections around the world.

Email: andrewpotocnik@telstra.com

time taken & cost

Time taken: 2 hours

Cost: £6 (approximately)

Diagrams Click an image to enlarge

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