Samurai Helmet Box

Thursday 17 June 2010

Alan Thomas turns this quirky Samurai helmet box

1.The finished Samurai helmet box

Back

It's funny when and where inspiration strikes. There I was watching Tom Cruise doing his Samurai warrior impression when I started to take more interest in the costumes of the Samurai rather than following the plot of the film. In particular, the fantastic designs of the warriors' helmets prompted the thought "great box!" The shapes, colours and scope for design of these wonderful pieces of armour were just crying out to be recreated in wood.

I started off by drawing out a suitable design - nothing too fancy - that would give me some idea of what I needed to consider before turning any wood. What I finished up with was basically a bell-shaped box lid fitted over an egg-cup shaped 'head' with a portion of the bell cut away to give an opening for the 'face.' As long as the proportions of the two pieces look right, the design possibilities for this project are endless.

The project makes an end grain box and is best made from close grained hardwoods. Using contrasting colours makes an impact even before any embellishment has been added.

Tools used

10mm (3/8in) spindle gouge, spindle roughing gouge, 3mm (1/8in) parting tool, small round-nosed scraper and small square-end scraper.

Step 1

Take a 75 x 75 x 75 x 90mm (3 x 3 x 3 1/2in) block of padauk (Pterocarpus dalbergioides) and for the 'head' you will need a piece of African blackwood (Dalbergia melanoxylon) 38 x 38 x 55mm (1 1/2 x 1 1/2 x 2 1/4in). Keep lathe speed at around 2000rpm throughout this project. Mount the helmet timber between centres and reduce to the round using the spindle roughing gouge. Square off each end with the parting tool and start to shape the helmet with the spindle gouge, as per the drawing. Form a tenon on the 'dome' end to suit your chuck, and when you have shaped the helmet, sand through the grits to 400/600

Step 2

If you are going to add carving or texture to your helmet do it now, because after hollowing out, the wall thickness will probably be insufficient to give enough support to allow you to do this adequately. As you can see from image 1, the second helmet has had a few V-grooves added and after the piece was finished I used gold coloured wax to give a neat effect to the piece. Apply your choice of finish - here I used a cellulose sander sealer diluted 50/50 with thinners to give a good penetrating coat, then paste wax on a pad of '0000' wire wool to cut back the surface. Lastly, buff up with a soft tissue to give a nice satin sheen. SAFETY NOTE: NEVER USE CLOTHS ON REVOLVING WORK

Step 3

Reverse the piece into your chuck jaws and bring up the tailstock (if you need to) to make sure everything is running true, and hollow out the helmet up to just below the dome part using the spindle gouge. If you look at the drawing you will see that there are two square-cut recesses below the dome part of the helmet, the base (head) is then fitted into these recesses. As with all box joints, a good fit is required if the head is to remain in the helmet when the box is picked up. Using either the parting tool or a square-ended scraper, cut the recesses then remove the waste wood inside the dome with a spindle gouge or a round-nosed scraper. Sand and finish the inside of the helmet as per the outside, but do not sand the surfaces of the square cut recesses. Leave the square recesses with a tool finish as this will give a better friction fit between the helmet and the head

Step 4

You now need to cut out the opening for the 'face.' Ensure you are clear about how the cutting needs to be done before proceeding, as the cut to produce the 'peak' is not square but angled down towards the base at approximately 60°. Leave the helmet in the chuck whilst you cut the opening as this makes handling the piece easier. I used a diamond cutting wheel fitted to my Axminster multi-tool, but a small coping saw or even a junior hacksaw could be used. The finer the blade, the less tear-out will occur. The amount to be removed is roughly one-third of the circumference of the helmet and it is worth taking your time to get the proportions right. Whatever method you use to remove the face piece, some hand finishing is always required. After cutting out the face piece you may want to set the helmet aside for a while to allow the stresses that have been released to settle. Remove the helmet from the chuck and replace it with a piece of scrap wood, which will be used as a jam chuck. Reduce to the round with the spindle roughing gouge so that the helmet fits over it, then form a tenon to suit the recesses inside the dome

Step 5

Fit the helmet over the jam chuck and bring up the tailstock to give some support, but don't use too much pressure as it is easy to split the piece. Now you can remove the holding tenon and finish the top of the dome, carefully blending in the shape and finishing, as before

Step 6

Put the wood for the 'head' between centres and reduce to the round with the spindle roughing gouge. Mark off the proportions from your drawing and form a tenon on one end to suit your chuck

Step 7

Mount in the chuck and reduce the diameter to fit inside the helmet up to the first of the recesses. Carefully measure the size of the tenon required to fit into the inside recess and form a tenon. A good fit is needed here if the 'head' is to stay in the helmet when the box is handled. Once a good fit is achieved, hollow out the piece with either a spindle gouge or a round-nosed scraper. Sand and finish the inside, but do not sand the tenon. Wood on wood contact is required to give a good friction fit. Shape the outside to the profile of a head, then sand

Step 8

Remove from the chuck and replace with the scrap wood you used earlier for the helmet. Form a tenon to fit inside the head. This should be a snug fit as you are relying on the friction to drive the piece. You could use tape to reinforce the grip, if required. Reverse the head, fit over the tenon, complete the turning, then sand and finish. Note: the 'head' should not project below the helmet otherwise the box will not stand properly

Step 9

To add decoration to the helmet I decided to add chatter work to a disc, which would then be attached to the helmet to mimic the style of other Samurai helmets I had seen previously. I used my homemade chatter tool to do this. There is enormous scope for both design and decoration on these boxes, so let your imagination run free

Glossary Rollover a term to view its definition

  • Parting Tool
     

    Parting Tool

    Parting Tool

    As the picture shows, there are several different types of parting tool - three of which are shown here. On the left is a narrow (3mm) parting tool which is very useful when parting work where the least amount of grain mismatch is desirable, for example when parting the lid from the base in box making. The middle tool is a straight sided, standard parting tool and the one on the right is a diamond parting tool where the widest part of the tool is at the cutting edge. This can be advantageous when cutting deep grooves because it means less of the tool is rubbing on the sides of the groove. Parting tools primary task is to part wood off in spindle work but they are also used to cut tenons or spigots and grooves. They can also be used to cut beads.

     
  • Scraper
     

    Scraper

    Scraper

    As its name suggests, scrapers scrape the wood rather than cut it and generally leave a poorer surface finish on the wood than cutting tools. Unlike cutting tools, do not use the bevel rubbing technique with a scraper. In fact the 'bevel' is really a clearance rake and allows the cutting edge to come to a sharper edge. Sharpen or hone it often and take very light cuts with a scraper. You should get shavings; if you are only getting dust, resharpen it. Scrapers come in all shapes and sizes - square edge, round nosed, French curve, box scrapers and hardwood scrapers. The picture shows a 1/2 inch round nosed scraper.

     
  • Spindle Gouge
     

    Spindle Gouge

    Spindle Gouge

    Modern day spindle gouges are made in the same way as bowl gouges - from a round bar of M2 high speed steel with the flute milled out. The flute is shallower and more open than that of a bowl gouge. Traditionally spindles gouges were forged from a flat, rectangular sectioned bar and some manufacturers have started making a modern day version of this, commonly known as the Continental Style spindle gouge. Like their name suggests, spindle gouges are used to cut details such as beads, coves and fillets on spindle work.

     
  • Spindle Roughing Gouge
     

    Spindle Roughing Gouge

    Spindle Roughing Gouge

    This gouge is semicircular in section and the bevel is ground at between 35 and 45 degrees. The cutting edge is usually ground straight across. It is normally used in spindle or between centres turning for reducing a square blank to a round section - known as roughing down. This gouge is commonly known as a roughing gouge, but is more accurately described as a Spindle Roughing Gouge as it must not be used on faceplate work, e.g. for turning bowls.

     
  • Lathe
     

    Lathe

    Lathe

    Lathes come in various types and sizes and prices. The average woodworker will only need a lathe for turning spindles and things like knobs or bun feet for furniture whereas a woodturner will be much more demanding of a lathe. A lathe has a bed to which is fitted a headstock which contains the pulleys and belt for creating the drive output to a shaft which can be fitted with various means of turning the work such as a drive centre or a woodchuck. The drive motor is attached to the headstock. At the other end of the lathe bed is the tailstock. This is precisely aligned with the headstock drive centre and has its own means of supporting the other end of the spindle blank that is being turned. The tailstock can move along the bed, there is also an adjustable tool rest in between, for supporting whatever lathe tool is being used. Woodturning is a complex discipline in its own right.

     
  • Tailstock
     

    Tailstock

    Tailstock

    Like the headstock, this is normally made from cast iron or fabricated in steel. It is designed to slide along the bed and be clamped to the bed in its chosen position. The method of clamping it varies between manufacturers, but a common clamping method is by means of a cam locking assembly. The tailstock houses the quill or barrel, which in turn houses a revolving centre, allowing spindle work to be supported.

     
  • Between Centres
     

    Between Centres

    Between Centres

    The term given to holding a workpiece between a centre (e.g. four prong, two prong, steb centre) in the headstock spindle and a centre (e.g. revolving, cup) in the tailstock spindle

     
  • Chuck
     

    Chuck

    Chuck

    A holding device consisting of adjustable jaws that centre a workpiece in a lathe or centre a tool in a drill. There are many different types of chuck. Scroll chuck, collet chuck, pin chuck and screw chuck are a few examples. The photograph shows a scroll chuck on the left and two different kinds of screw chuck

     

handy hints

1. Get used to the idea of how the box fits together before doing anything fancy

2. Try to angle the toolrest inside the helmet when hollowing out. Get the best support you can and cut down on any vibration or chattering from the tool

contact details

Email: alan@atwoodturning.com

Website: www.atwoodturning.com

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