Your First Segmented Bowl

Tuesday 18 May 2010

Dennis Keeling creates a simple segmented bowl from a plank of decking

1.The completed segmented bowl

I am surprised that segmented turning is not as popular in the UK as it is in America. I can't tell you the joy I had when I created my first composite bowl from planks of timber. I quickly realised that I could make beautiful objects, of any shape or size, that were no longer dependent on the size of the piece of wood I was turning - I was only limited by my own imagination.

Segmenting turning looks very complicated for most turners, but it isn't, so this article shows you how to create a simple bowl with a few tools and basic equipment.

My first bowl, 10 years ago, was made from some off-cuts of beech (Fagus sylvatica). I still have it after all these years - it started me out on a new career. I hope this article will also set you on a journey into segmented turning and that you will have as much enjoyment from creating unusual segmented objects as I have had.

Tools used

15mm (5/8in) bowl gouge, 25mm (1in) scraper, internal shear-scraper and a parting tool

Step 1

I started with a plank of 25mm (1in) plain ipe (Tabebuia serratifolia) hardwood decking that I had left over, but any hardwood will suffice for this project. Ipe is an oily wood the colour of walnut (Juglans regia), straight-grained and easy to turn. The thickness is not critical as long as it is uniform

Step 2

If your decking or hardwood is already planed, all you will need to do is to cut the strips using a circular saw to the widths shown for each segment level. The dimensions are not critical as long as they are larger than shown on the cutting list

Step 3

The bottom of the bowl is solid. When I first started segmented turning I made the bases out of segments but they always separated as the wood dried and moved. So most segmented turners use a solid base. Start by gluing the base onto a salvaged piece of wood already set up to fit the chuck jaws; this saves wood and gives more room to part-off when finishing the piece

Step 4

The segments are then cut on the mitre saw. A dummy back-plate has been added to the mitre-saw to stop the segments flying off, as well as an end-stop to gauge the segment lengths. Set the mitre saw to 15 degrees. It may be worth cutting six segments - a semi-circle - with some scrap wood to check the mitre angle. A very clean cut can be obtained by slowly lowering the spinning blade onto the wood. Remember to keep your fingers out of the way

Step 5

Clean off any burr on the edges of the segments and then glue them together. I have found that Titebond II is the best for gluing end-grain. Just rub the segments together, hold them in position, and then after a couple of seconds, the glue grabs. Some segmented turners clamp their segments together under heavy mechanical pressure to close any gaps. I found that these stressed joints eventually break, with costly results. The 'grab method' doesn't put the joints under any strain

Step 6

Glue the segments on a sheet of polythene on a thick piece of glass, but any flat surface will do. Once a semi-circle of segments has been glued-up, check the segment alignment with a rule

Step 7

Any slight imperfections can be sanded out before gluing the semi-circles together

Step 8

Clean away any glue residue on the sides of the first level by rubbing them, under pressure, on 80 grit sandpaper

Step 9

In order to centralise the levels during gluing-up on the lathe, I made a backing plate from MDF with concentric circles drawn on it for the alignment of the levels, but you can also do it by eye, if you choose. The first level is glued-up and positioned on the lathe between the base and the back-plate. When it has been centred the tailstock is adjusted to clamp the levels finger tight

Step 10

Once the glue has dried - usually after about eight hours - the level has to be trued. Use the bowl gouge on its side in shear-scraper fashion to true-up the level

Step 11

Then check the level with the aid of a metal rule

Step 12

The levels are then gradually built-up, aligning the segments brick-work fashion. True up each level before gluing the next level. To add a bit of interest, a feature-ring of veneers has been included in the design. Glue two white veneer sheets together - separated by a dark brown sheet - and put them between the fourth and sixth levels. Dampening the veneer with a wet cloth before gluing softens the veneer and makes it much easier to sandwich the pieces together

Step 13

Complete all the levels and the finished composite bowl should look something like the one shown here. Now the exciting bit - to create your own beautiful bowl from the composite made from a plank of wood

Step 14

It is easier to start on the inside while there is still some thickness in the walls at the top of the composite bowl. The bowl gouge does not work inside a composite bowl; the edge quickly gets burnt by the hard glue and tends to tear the grain. So the rough edges on the inside are first of all removed using a scraper on its side at approximately 45 degrees. Take light cuts, initially at a medium speed, until the segment edges are eliminated

Step 15

Once the inside is smooth use a shear-scraper with a tear-drop blade to create a smooth contour. Again, it is presented at a 45 degrees angle to the wood. The lathe can now be speeded up to enable delicate whispers of shavings to be made

Step 16

The outside can now be cleaned up using a bowl-gouge on its side in shear-scraping mode, which gives a clean cut without undue stress on the bowl. Start at the top to get the shape you require. You can still go back to the inside at this stage if the shape isn't right, but you can't go back to the top once you start to reduce the thickness from the lower half of the bowl; vibration will occur at the rim, spoiling the finish

Step 17

Once you are happy with the top you can start on the lower half. First of all smooth out the edges of the lower levels, then form the base by taking long, sweeping strokes to give a smooth outline

Step 18

Sand the bowl with an electric drill fitted with a 50mm (2in) sanding disc. Start at 80 grit and work up to 400 grit, first the inside, then the outside. There were some small tears in the grain on the inside that needed some localised sanding treatment, but they were quickly eliminated

Step 19

If the wood is quite oily, use finishing oil. Let the first coat dry for 24 hours before burnishing it with wire wool. Two coats should be adequate, then the bowl can be parted off the lathe and the base can be cleaned up. The bowl takes about three hours to make, but in stages spread over a week to allow for the glue and finish to dry. The bowl is now complete

Glossary Rollover a term to view its definition

  • Bowl Gouge
     

    Bowl Gouge

    Bowl Gouge

    A cutting tool with a deep flute and a heavy cross-section. These are normally made from round bars and the flute is milled out. The round bar fits into the handle thus giving the tool a great deal of strength to enable it to overhang the toolrest a long way in order to hollow out deep bowls. Its primary function is for faceplate - or bowl turning - but it can also be used in spindle work. The bevel angle is ground to suit the user but is anything between 40 degrees and 80 degrees. Traditionally, bowl gouges are ground straight across, but many turners prefer to grind the wings back. There are many terms for a swept back bowl gouge - fingernail grind, O'Donnell grind, Irish grind, Ellsworth grind, lady's finger - to name a few. There may be subtle differences in these grinds, but generically they are all bowl gouge grinds where the wings have been ground back.

     
  • Parting Tool
     

    Parting Tool

    Parting Tool

    As the picture shows, there are several different types of parting tool - three of which are shown here. On the left is a narrow (3mm) parting tool which is very useful when parting work where the least amount of grain mismatch is desirable, for example when parting the lid from the base in box making. The middle tool is a straight sided, standard parting tool and the one on the right is a diamond parting tool where the widest part of the tool is at the cutting edge. This can be advantageous when cutting deep grooves because it means less of the tool is rubbing on the sides of the groove. Parting tools primary task is to part wood off in spindle work but they are also used to cut tenons or spigots and grooves. They can also be used to cut beads.

     
  • Lathe
     

    Lathe

    Lathe

    Lathes come in various types and sizes and prices. The average woodworker will only need a lathe for turning spindles and things like knobs or bun feet for furniture whereas a woodturner will be much more demanding of a lathe. A lathe has a bed to which is fitted a headstock which contains the pulleys and belt for creating the drive output to a shaft which can be fitted with various means of turning the work such as a drive centre or a woodchuck. The drive motor is attached to the headstock. At the other end of the lathe bed is the tailstock. This is precisely aligned with the headstock drive centre and has its own means of supporting the other end of the spindle blank that is being turned. The tailstock can move along the bed, there is also an adjustable tool rest in between, for supporting whatever lathe tool is being used. Woodturning is a complex discipline in its own right.

     
  • Tailstock
     

    Tailstock

    Tailstock

    Like the headstock, this is normally made from cast iron or fabricated in steel. It is designed to slide along the bed and be clamped to the bed in its chosen position. The method of clamping it varies between manufacturers, but a common clamping method is by means of a cam locking assembly. The tailstock houses the quill or barrel, which in turn houses a revolving centre, allowing spindle work to be supported.

     
  • Shear Scraping
     

    Shear Scraping

    Shear Scraping

    This technique uses a conventional scraper or a specialist shear scraper where the cutting edge is held at approximately 45 degrees to the surface of the wood. This peels the wood off, rather than just scrapes it, and produces fine, spiral shavings

     
  • End Grain
     

    End Grain

    End Grain

    The grain at the end of a piece of wood which is perpendicular to the surface of the wood. Imagine a tree trunk that has been cut through at 90 degrees, revealing the growth rings. This is end grain

     

handy hints

1. It is far easier to centralise each level on the lathe for gluing. Gluing several levels as a stack can often lead to the levels being offcentre or out of alignment

2. After the glue has grabbed, ease off the tailstock pressure to just hold the levels in place. Too much pressure will distort the levels

contact details

Email: dkeeling@dkeeling.com

Website: www.dkeeling.com

Diagrams Click an image to enlarge

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